Crumble in the leftover stuffing and turn the heat off. The Sun (2016)A bowl of one of these on standby in the fridge means that leftovers can quickly be turned into a sustaining supper. Times, Sunday Times (2016)Torn chicken with ginger and lime noodles I love leftover roast chicken.
3) Franco Cardini riassume in poche frasi tutto il ricco simbolismo riferito alla figura del cervo. I Celti, il cervo era sacro al “dio cornuto” Cernumn, identificato con l’Apollo ellenico romano e con la luce diurna, vale a dire con l’eternamente giovane dio Lug. D’altronde, nei miti che riguardano Lug, il cervo gioca un ruolo collegato al ciclo dell’eterno ringiovanimento simboleggiato forse dalle sue corna che cadono e nascono di nuovo, e che è agevole connettere con il solstizio d’inverno e quindi con l’anno nuovo..
After the ruinous battle of Culloden (1746) Charles Stuart, then twenty six, escaped and remained hidden for several months, protected by his faithful.Flora MacDonald (1722 1790), was 24 when he met the Bonnie Prince and helped him to leave the Hebrides; we see them depicted into a boat at the mercy of the waves, she wraps in her shawl and looks at the horizon as the sun sets, he rows with enthusiasm.(here how it actually went: Il Principe e la Ballerina)THE CROSSING AT SEA: THE ESCAPE OF CHARLES STUARTThe escape is remembered in boat song written by Sir Harold Boulton in 1884 on a scottish traditional melody which is said to have been arranged by Anne Campbell MacLeod; a decade ago Anne was on a trip to the Isle of Skye and heard some sailors singing nan Craobh (in English Cuckoo in the Grove Cuckoo in the Grove was printed in 1907 in Minstrelsy of the Scottish Highlands, by Alfred Moffat, with a text attributed to William Ross (1762 1790). The melody is therefore at least dating back to the time of the story.The song (in of the North by Sir Harold Boulton and Anne Campbell MacLeod, London 1884) is a not really a sea shanty: his function is giving rhythm to the rowers but at the same time it was also a funeral lament. The time is 3/4 or 6/8: the first beat is very accentuated and corresponds to the phase in which the oar is lifted and brought forward, 2 and 3 are the backward stroke.
Riassumendo e/o dicendolo in un altro modo, Sartini al mixer ‘fa i numeri’ ma li fa per far ballare, non ama fare il fenomeno. Ecco come racconta la sua vita e i suoi inizi: “Sono sposato e vivo nelle Marche, dove sono nato. Adoro la mia terra, anche se spesso nel fine settimana devo fare centinaia e centinaia di chilometri per raggiungere i locali in cui lavoro.